Produced by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one key story turn, but it results in a comically executed chaotic run on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish theaters from 17 November.
